The Set Is the Album: Why On-Demand VR Concerts Beat Live for Electronic Music

Somewhere around the fourth hour, a good techno set stops being a sequence of tracks. The kick has been running so long your body has filed it under weather. A hi-hat opens half a step. Two hundred people who have not looked at a phone since 1am feel the room tilt before they hear why. That moment is not a song. It is the payoff of three hours of setup, and it lands only because of everything stacked underneath it.
Now try to deliver that live to someone in Los Angeles. It is 7pm on a Friday there. The buffer stutters at the exact bar the build resolves. The bitrate collapses into the strobe and the picture turns to porridge. They catch nineteen minutes and go make dinner.
This is the case for on demand VR concerts, and it is not a consolation prize for platforms that cannot do live yet. For electronic music, the recorded set is the better product.